Restaurierung von Buechern
z.B.: H.Noel Humphries History of the Art of Printing Bernard Quaritch London 1867
First Issue
300 numbered copies ,of which this is Nr.210
Antoine de Ruffi Histoire de la Ville de Marseille
Seconde édition,revue,corrigée et augmentée
A Marseille Par Henri Martell Imprimeur et Libraire 1696
Avec Privilège du Roi
Karl Garzarolli-Thurnlackh Das Graphische Werk des Johann Martin Schmidt
Kremser Schmidt 1718-1801
Amalthea Verlag Zürich-Wien-Leipzig 1925
tting
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Restaurierung von Gemaelden
z.B.: Eberbach Leopoldsplatz-Bezirksamt mit Untertorturm
Thalheimsches Haus und Pulverturm 1830
Oelgemaelde Sebastian Eckhardt Wallduern oder
Erbprinz Emich Carl Fuerst zu Leiningen Amorbach
Link:Historie Schloss Waldleiningen
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.......................................................................................Oelgemaelde
............................................................................ .. Alfred von Schoenberger (Kronberg-Wien-Muenchen)
.................................................................................................Blick auf Heidelberg .1882 Heidelberg
........................................................................................................Link:Kronberger Malerkolonie
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Restaurierung von Aquarellen,Gouachen,Pastellen
z.B.: Aquarell von Hanna Spohr. Eberbach
Kunstschlosserei August Ueberle. Lindach 1947
Neckarelzer Landstrasse 32
Heute:
Restauro Peter August Helm Labor & Werkstatt
Lindenstrasse 1
http://www.he1m-eberbach.com
Ansicht von Krösselbach/Stolzeneck aus
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Restaurierung von Druckgraphiken
z.B.: Matterhorn-Zermatt
Farbaquatinta
Hans Frey Muenchen
Hans Frey Muenchen
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Restaurierung von Zeichnungen
z.B.: Eberbach Breitensteinweg
Zeichnung von Hanna Spohr Eberbach 1947
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Cleaning & Restoring of Antique Prints
Actual examples 2006 of Cleaning & Restoring Rare Original Lithographs by
Thomas Sidney Cooper & Eugene Verboeckhoven
from the Collection of Kenneth Westwood.UK
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Before
°Thomas Sidney Cooper South Down Mutton.Heavy browning&waterstain.Folds.Cracks.McLean.London 1837 KW/LfC 2
After
°Thomas Sidney Cooper South Down Mutton.Tinted Lithograph.Partly with relief. McLean.London 1837
°KW/LfC 2
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Before
TThomas Sidney Cooper Woodcutter .Chine appliqué.Heavy browning in places.KW/LfC 5
°°Dickinson .London 1837
After
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°Thomas Sidney Cooper Woodcutter .Chine appliqué.Loosened & recollated. KW/LfC 5
°Dickinson.London 1833
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Before
°Thomas Sidney Cooper Down Grazing .McLean.London 1837. KW/LfC 1
°Good condition.Except traces of old mounting and minimal spotting
After
°Thomas Sidney Cooper Down Grazing 1837.Good condition except Minimal spotting.KW/LfC 1
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Before
°Thomas Sidney Cooper.Nieuport - Flanders 1837.Chine appliqué.Browning .Water staining.Fusty.KW/LfC 4
After
°Thomas Sidney Cooper.Nieuport - Flanders 1837. Chine appliqué.Loosened from Basis paper & recollated.KW/LfC 4
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Before
Thomas Sidney Cooper.Distant View of Saltzburg 1837. Browning.Staining.KW/LfC 3
After
°Thomas Sidney Cooper.Distant View of Saltzburg 1837.Loosened Chine appliqué.KW/LfC 3
°Thomas Sidney Cooper.Distant View of Saltzburg 1837.Loosened Basis paper.KW/LfC 3
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Before
Removed 18.6.06
Eugène Verboeckhoven.Donkey.Gache 1844.Streak of brittle in upper parts.Heavy browning of originally grey tinted ground. KW/LfC 6
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After
Removed 18.6.06
Eugène Verboeckhoven.Donkey.Gache 1844.Loosened particles of dry brittle (from grey tinted ground). KW/LfC 6
Removed 18.6.06
Eugene Verboeckhoven.Donkey .Gache 1844. Full image below dry track of upper area. KW/LfC 6
°1844
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